I meant, today, to tell you all more of our own story - about our progress down the Grand Canal,
and the beautiful palazzi we saw there. Instead, I want to share first
with you the face of this woman. Sat, with her hand open, in the steps
of the Church of SS Geremia & Lucia, she had a quiet dignity that deeply
impressed me.
I agonise over beggars when I visit other cities - there were not many in Venice, those that I did see mostly women (only one man) and all of
them from Eastern Europe - possibly Romania or Albania. Several of them
knelt, with their foreheads touching the ground, and hands outstretched.
I so longed to go up to them and raise their faces - nobody should grovel like that. All should have the dignity to feel able to show their face to the world.
This woman did not grovel, whine or pester, but sat simply, and waited.
And there was something about her - I looked into her eyes and felt as if I was looking into the deep pools of the collective human psyche. I
think she is beautiful. She mesmerised me.
I could not forget her - after giving her my small change, I returned the following day, asked her permission to take her photograph, and gave a little more. She was beseechingly grateful - and I was humbly embarrassed that a small gesture could make so much difference. She had given me far more than I had given her - her face is still unforgettable.
And inside the church outside which she sat, the "incorruptible" (not true!) body of the martyred St Lucia - dressed in martyrs red dress, and
for all the world presented to the world like Snow White, in a crystal casket. Her portrait within the church shows her proffering her eyes on
a plate - her martyrdom entailing gouging out of same. The portrait does, however, thankfully have a full compliment of eyes - presumably
mystically restored. How like a fairy tale some of these church interiors are - and like fairy tale, they too struggle to deal with and make manageable to us some of the great mysteries and terrors of life to the fearful little humans that we are.
Having bought a three day pass, we took the Vaporetto from the station, (ten minutes from where we were staying), down the length of the Grand Canal - surely one of the most beautiful "bus" rides in the world! Here are just a few of the palazzi that we passed on the way....
The Palazzo Labia on the left - whose owners were one so rich that, after banquets, they blithely discarded their gold tableware out of the windows into the canal below, rather than washing up like mere mortals. (There were, however, judiciously placed nets below the water line, hidden from view, from which the plate could later be recovered!). The entrance to the Cannaregio canal and "our" Guglie bridge homewards are also visible.
Next - the Palazzo Grassi - which you can read more about here. I am entirely in sympathy with the sentiments of this article!
The Ca D'Oro - which we discovered on an earlier walk by walking obliviously down the side alley and thus coming accidentally up close and personal to the sumptuous carvings and window tracery on the face of the building. Still fronted with beautiful marble panels, imagine how it must have glittered in the sun when it still possessed its own extensive gilding.
And much further on, the Palazzo Contarini-Fasan - otherwise known as "Desdemona's House". Very small, as Palazzi go - but I think one of the prettiest, with the most delightful wheel-pierced-tracery balconies and perfectly proportioned windows.
Finally, past the Westin Europa and Regina Hotel - home to the 1906 ladies for two days, (when it was called the Suisse-Roman (SR) and the Britannia - (B) after which they moved in to the Hotel Milan - now a private house, but marked on the photograph (M). The green striped canvas of the courtyard garden terrace, which you can just see, (behind the striped water poles), covers an area which at one time was a gondola building yard.
The following day we were treated to the most charming of high teas by the most charming host and hostess at the Europa & Regina - but that is a story for another page of this blog!






Exquisite chandeliers abounded on the island in many of the shops - this is just one of more than a dozen lighting the interior of the church. Look also at the roundels surrounding the altar painting - each of which is a scene from the life of the Madonna.
The floors in so many of the churches were great works of art in themselves - this is just a simple example.
Walking through an inconsequential door in the corner of the church, I was overwhelmed to enter a room panelled entirely in these magnificent, almost "in the round" wood carvings of mythical and historical figures......this is just one such figure - another occasion on which one can show and describe, but really needs to be up close to actually
In the vestibule at the bottom of a stairway, this palanquin looked as if it was "in storage" ready to be used to process a Madonna or saint
And here is a "Madonna in Waiting" - also ready for use, I imagine, on festival days - but even at "rest", a fine example of 19th century doll modelling - the faces made, I think, of painted "composition" plaster.
We lunched - still in warm, balmy sunshine, surrounded by exotic pomegranate trees covered in fruit. We shopped, discovering exquisite little bottles and animals (I'll show you some in a later post) and we discovered an even more ancient, seventh century church, in which we sat and were again renewed by the silence.

Still struggling to gather my thoughts and images of Venice into something more than a dream-like cloud of images and experiences. I
Since we arrived in Venice by overnight train, we had a full day in front of us, which we enjoyed by strolling around and getting to know
Crossing over the bridge from the main tourist thoroughfare from the station to St Marks, a diversion left took us into the residential part
And all around, all the time, the architectural delights of Venice - EVERY building a picture - to my eyes anyway. I love peeling paint, crumbling plaster, weathered wood - here combined with carved corbels, faces, masks, mythical characters, sinuous ogee windows, earth and ice- cream colours - a surprise for the eyes on every building. Experience a little of what it was like to get to know this city on our first day - enjoy this walk along the Cannaregio canal with me.
It was the first time that I had travelled through the Channel Tunnel, and I was amazed at just how smooth and speedy a journey it was - 2 hrs 45 minutes, London to Paris, with only 20 minutes in the tunnel.
Our own carriage on the overnight train to Venice was slightly less gracious than those on the Orient Express - not only could you not swing
I take Phenergan for motion sickness, but it also does a wonderful job of acting as a mild sedative, so it was not long before I was in the
It was, as the apartment owner had stated, only ten minutes walk from the station until we reached our final destination.....and like the 1906 Ladies, our first act was to consume "a nice cup of tea". 


Liz has just called in so that we can have a Venice "fix" for the day - and we both agreed that this visit will be the first of many for me, and a continuation of many for her. I feel that I have at last found my spiritual home - a place where communities are still small and functional, a place where craftsmanship and attention to detail is still appreciated and cultivated, a place where the word "declutter" is not heard but is replaced with interest and intrigue for the unusual and the beautiful - why, of COURSE I felt completely and utterly at home there!





All ready now - I'm just spending the afternoon cleaning the house - and how many of us do THAT before we go on hoilday ?! I can't stand coming back to an untidy house. (I'm leaving two grown men to look after the place - but...cleaning, they do NOT do!)

Here's the outfit for high tea at the hotel - it looks prettier "in real life"....I will wear it with a cream, low cut top underneath. (I originally typed "udderneath" - is that Freudian, or what?!).
The very versatile black cord skirt actually has a figured pattern embroidered all over in the same black (it looks lighter here because of the flash) - it's the only skirt in my wardrobe that I am taking, so it will have to do duty on several occasions. I'm a black trousers gal for the rest of thetime (Thanks Be for black trousers on big bums!)
Looking up a reference to "Desdemona's House", which is next door to the
Thought you may be interested to know some of the books that have
1980 MORRIS, Jan The Venetian Empire - a Sea Voyage
2004 DA MOSTO, Francesco Francesco's Venice
Now one thing is certain - and VERY important. Ladies of a Certain Age MUST have their cup of tea when travelling!
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